No início do século XX, mais precisamente na primeira década, o cinema alemão era relativamente incipiente em termos de produção, e sua relevância à esfera europeia era mínima – levando em conta os prolíferos cinemas francês e dinamarquês. As películas germânicas desse período se limitavam a reproduzir os maneirismos recorrentes do “cinema de atualidades”, filmes […]
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